American Literature
:: Mark Twain
Samuel Langhorne Clemens (November 30, 1835 – April 21, 1910), better known by the pen name Mark Twain, was an American humorist, satirist, lecturer and writer. Twain is most noted for his novels Adventures of Huckleberry Finn, which has since been called the Great American Novel, and The Adventures of Tom Sawyer. He is also known for his quotations. During his lifetime, Twain became a friend to presidents, artists, industrialists and European royalty.
Twain enjoyed immense public popularity, and his keen wit and incisive satire earned him praise from both critics and peers. American author William Faulkner called Twain "the father of American literature."
Twain enjoyed immense public popularity, and his keen wit and incisive satire earned him praise from both critics and peers. American author William Faulkner called Twain "the father of American literature."
:: Biography
Life as a writer
Career overview
Twain began his career writing light, humorous verse but evolved into a grim, almost profane chronicler of the vanities, hypocrisies and murderous acts of mankind. At mid-career, with Huckleberry Finn, he combined rich humor, sturdy narrative and social criticism. Twain was a master at rendering colloquial speech and helped to create and popularize a distinctive American literature built on American themes and language. Many of Twain's works have been suppressed at times for various reasons. Adventures of Huckleberry Finn has been repeatedly restricted in American high schools, not least for its frequent use of the word "nigger", which was a common term when the book was written.
Unfortunately, a complete bibliography of his works is nearly impossible to compile because of the vast number of pieces written by Twain (often in obscure newspapers) and his use of several different pennames. Additionally, many believe that a large portion of his speeches and lectures have been lost or simply were not written down; thus, the collection of Twain's works is an ongoing process. Researchers have rediscovered published material by Twain as recently as 1995.
Early journalism and travelogues Cabin in which Twain wrote Jumping Frog of Calaveras, located on Jackass Hill in Tuolumne County. Historical marker and interior view available. Cabin in which Twain wrote Jumping Frog of Calaveras, located on Jackass Hill in Tuolumne County . Historical marker and interior view available.
Twain's first important work, The Celebrated Jumping Frog of Calaveras County, was first published in the New York Saturday Press on November 18, 1865. The only reason it was published there was because his story arrived too late to be included in a book Artemus Ward was compiling featuring sketches of the wild American West.
After this burst of popularity, Twain was commissioned by the Sacramento Union to write letters about his travel experiences for publication in the newspaper, his first of which was to ride the steamer Ajax in its maiden voyage to Hawaii, referred to at the time as the Sandwich Islands. These humorous letters proved the genesis to his work with the San Francisco Alta California newspaper, which designated him a traveling correspondent for a trip from San Francisco to New York City via the Panama isthmus. All the while Twain was writing letters meant for publishing back and forth, chronicling his experiences with his burlesque humor. On June 8, 1867, Twain set sail on the pleasure cruiser Quaker City for five months. This trip resulted in The Innocents Abroad or The New Pilgrims' Progress. “ This book is a record of a pleasure trip. If it were a record of a solemn scientific expedition it would have about it the gravity, that profundity, and that impressive incomprehensibility which are so proper to works of that kind, and withal so attractive. Yet not withstanding it is only a record of a picnic, it has a purpose, which is, to suggest to the reader how he would be likely to see Europe and the East if he looked at them with his own eyes instead of the eyes of those who traveled in those countries before him. I make small pretense of showing anyone how he ought to look at objects of interest beyond the sea – other books do that, and therefore, even if I were competent to do it, there is no need. ”
In 1872, Twain published a second piece of travel literature, Roughing It, as a semi-sequel to Innocents. Roughing It is a semi-autobiographical account of Twain's journey to Nevada and his subsequent life in the American West. The book lampoons American and Western society in the same way that Innocents critiqued the various countries of Europe and the Middle East. Twain's next work kept Roughing It's focus on American society but focused more on the events of the day. Entitled The Gilded Age: A Tale of Today, it was not a travel piece, as his previous two books had been, and it was his first attempt at writing a novel. The book is also notable because it is Twain's only collaboration; it was written with his neighbor Charles Dudley Warner.
Twain's next two works drew on his experiences on the Mississippi River. Old Times on the Mississippi, a series of sketches published in the Atlantic Monthly in 1875, featured Twain’s disillusionment with Romanticism. Old Times eventually became the starting point for Life on the Mississippi.
Tom Sawyer and Huckleberry Finn
Twain's next major publication was The Adventures of Tom Sawyer, which drew on his youth in Hannibal. The character of Tom Sawyer was modeled on Twain as a child, with traces of two schoolmates, John Briggs and Will Bowen. The book also introduced in a supporting role the character of Huckleberry Finn, based on Twain's boyhood friend Tom Blankenship.
The Prince and the Pauper, despite a storyline that is omnipresent in film and literature today, was not as well received. Telling the story of two boys born on the same day who are physically identical, the book acts as a social commentary as the prince and pauper switch places. Pauper was Twain's first attempt at fiction, and blame for its shortcomings is usually put on Twain for having not been experienced enough in English society, and also on the fact that it was produced after such a massive hit. In between the writing of Pauper, Twain had started Adventures of Huckleberry Finn (which he consistently had problems completing[30] and started and completed another travel book, A Tramp Abroad, which follows Twain as he travels through central and southern Europe.
Twain's next major published work, Adventures of Huckleberry Finn, solidified him as a noteworthy American writer. Some have called it the first Great American Novel. Huckleberry Finn was an offshoot from Tom Sawyer and proved to have a more serious tone than its predecessor. The main premise behind Huckleberry Finn is the young boy's belief in the right thing to do even though the majority of society believes that it was wrong. The book has become required reading in many schools throughout the United States because Huck ignores the rules and mores of the age to follow what he thinks is just (the story takes place in the 1850s where slavery is present). Four hundred manuscript pages of Huckleberry Finn were written in the summer of 1876, right after the publication of Tom Sawyer. Some accounts have Twain taking seven years off after his first burst of creativity, eventually finishing the book in 1883. Other accounts have Twain working on Huckleberry Finn in tandem with The Prince and the Pauper and other works in 1880 and other years. The last fifth of Huckleberry Finn is subject to much controversy. Some say that Twain experiences—as critic Leo Marx puts it—a "failure of nerve." Ernest Hemingway once said of Huckleberry Finn: “If you read it, you must stop where the Nigger Jim is stolen from the boys. That is the real end. The rest is just cheating.”
Near the completion of Huckleberry Finn, Twain wrote Life on the Mississippi, which is said to have heavily influenced the former book.[28] The work recounts Twain's memories and new experiences after a 22-year absence from the Mississippi. The book is of note because Twain introduces the real meaning of his pseudonym.
Later writing
After his great work, Twain began turning to his business endeavors to keep them afloat and to stave off the increasing difficulties he had been having from his writing projects. Twain focused on President Ulysses S. Grant's Memoirs for his fledgling publishing company, finding time in between to write "The Private History of a Campaign That Failed" for The Century Magazine. This piece detailed his two-week stint in a Confederate militia during the Civil War. The name of his publishing company was Charles L. Webster & Company, which he owned with Charles L. Webster, his nephew by marriage.
Twain next focused on A Connecticut Yankee in King Arthur's Court, which featured him making his first big pronouncement of disappointment with politics. Written with the same "historical fiction" style of The Prince and the Pauper, A Connecticut Yankee showed the absurdities of political and social norms by setting them in the court of King Arthur. The book was started in December 1885, then shelved a few months later until the summer of 1887, and eventually finished in the spring of 1889.
Twain had begun to furiously write articles and commentary with diminishing returns to pay the bills and keep his business intentions afloat, but it was not sufficient because he filed for bankruptcy in 1894. His next large-scale work, Pudd'nhead Wilson, was written rapidly, as Twain was desperately trying to stave off the bankruptcy. In the month from November 12 to December 14, 1893, Twain wrote a staggering 60,000 words for the novel. Critics have pointed to this rushed completion as the cause of the novel's rough organization and constant disruption of continuous plot. There were parallels between this work and Twain's financial failings, notably his desire to escape his current constraints and become a different person.
Interestingly, the actual title of this novel is not clearly established. It was first published serially in Century Magazine, and when it was finally published in book form, Pudd'nhead Wilson appeared as the main title; however, the disputed "subtitles" make the entire title read: The Tragedy of Pudd'nhead Wilson and the Comedy of The Extraordinary Twins.
This novel, like The Prince and the Pauper, also contains the tale of two boys born on the same day who switch positions in life. Considering the circumstances of Twain's birth and Halley's Comet and his strong belief in the paranormal, it is not surprising that these "mystic" connections recur throughout his writing.
Twain's next venture was a work of straight fiction that he called Personal Recollections of Joan of Arc and dedicated to his wife. Twain had long said that this was the work of which he was most proud, despite the criticism he received for it. The book had been a dream of his since childhood; he claimed that he had found a manuscript detailing the life of Joan of Arc when he was an adolescent. This was another piece which Twain was convinced would save his publishing company. His financial adviser, Henry Huttleston Rogers, squashed that idea and got Twain out of that business altogether, but the book was published nonetheless.
During this time of dire financial straits, Twain published several literary reviews in newspapers to help make ends meet. He famously derided James Fenimore Cooper in his article detailing Cooper's Literary Offenses. He became an extremely outspoken critic not only of other authors, but also of other critics, suggesting that before praising Cooper's work, Professors Loundsbury, Brander Matthes, and Wilkie Collins "ought to have read some of it."
Other authors to fall under Twain's attack during this time period (beginning around 1890 until his death) were George Eliot, Jane Austen and Robert Louis Stevenson. Some have noticed a trend in literary criticism to mimic Twain's style, as contemporary critics often ballast not merely portions of a work, opting instead to insult and belittle an author's entire bibliography. It appears that Twain was the first to use such language in describing established authors (and these authors were often quite popular at the time Twain was lambasting them). In addition to providing a source for the "tooth and claw" style of literary criticism, Twain outlines in several letters and essays what he considers to be "quality writing". He places particular emphasis on concision, utility of word choice, and realism (he complains that Cooper's Deerslayer purports to be realistic but has several shortcomings). Ironically, several of his works were later criticized for lack of continuity (Adventures of Huckleberry Finn) and organization (Pudd'nhead Wilson).
Twain's wife died in 1904, and after an appropriate time Twain allowed himself to publish some works that his wife, a de facto editor and censor throughout his life, had looked down upon. Of these works, The Mysterious Stranger, which places the presence of Satan, also known as “No. 44,” in various situations where the moral sense of humankind is absent, is perhaps the best known. This particular work was not published in Twain's lifetime. There were three versions found in his manuscripts made between 1897 and 1905: the Hannibal version, the Eseldorf version, and the Print Shop version. Confusion between the versions led to an extensive publication of a jumbled version, and only recently have the original versions as Twain wrote them become available.
Twain's last work was his autobiography, which he dictated and thought would be most entertaining if he went off on whims and tangents in non-sequential order. Some archivists and compilers had a problem with this and rearranged the biography into a more conventional form, thereby eliminating some of Twain's humor and the flow of the book.
Career overview
Twain began his career writing light, humorous verse but evolved into a grim, almost profane chronicler of the vanities, hypocrisies and murderous acts of mankind. At mid-career, with Huckleberry Finn, he combined rich humor, sturdy narrative and social criticism. Twain was a master at rendering colloquial speech and helped to create and popularize a distinctive American literature built on American themes and language. Many of Twain's works have been suppressed at times for various reasons. Adventures of Huckleberry Finn has been repeatedly restricted in American high schools, not least for its frequent use of the word "nigger", which was a common term when the book was written.
Unfortunately, a complete bibliography of his works is nearly impossible to compile because of the vast number of pieces written by Twain (often in obscure newspapers) and his use of several different pennames. Additionally, many believe that a large portion of his speeches and lectures have been lost or simply were not written down; thus, the collection of Twain's works is an ongoing process. Researchers have rediscovered published material by Twain as recently as 1995.
Early journalism and travelogues Cabin in which Twain wrote Jumping Frog of Calaveras, located on Jackass Hill in Tuolumne County. Historical marker and interior view available. Cabin in which Twain wrote Jumping Frog of Calaveras, located on Jackass Hill in Tuolumne County . Historical marker and interior view available.
Twain's first important work, The Celebrated Jumping Frog of Calaveras County, was first published in the New York Saturday Press on November 18, 1865. The only reason it was published there was because his story arrived too late to be included in a book Artemus Ward was compiling featuring sketches of the wild American West.
After this burst of popularity, Twain was commissioned by the Sacramento Union to write letters about his travel experiences for publication in the newspaper, his first of which was to ride the steamer Ajax in its maiden voyage to Hawaii, referred to at the time as the Sandwich Islands. These humorous letters proved the genesis to his work with the San Francisco Alta California newspaper, which designated him a traveling correspondent for a trip from San Francisco to New York City via the Panama isthmus. All the while Twain was writing letters meant for publishing back and forth, chronicling his experiences with his burlesque humor. On June 8, 1867, Twain set sail on the pleasure cruiser Quaker City for five months. This trip resulted in The Innocents Abroad or The New Pilgrims' Progress. “ This book is a record of a pleasure trip. If it were a record of a solemn scientific expedition it would have about it the gravity, that profundity, and that impressive incomprehensibility which are so proper to works of that kind, and withal so attractive. Yet not withstanding it is only a record of a picnic, it has a purpose, which is, to suggest to the reader how he would be likely to see Europe and the East if he looked at them with his own eyes instead of the eyes of those who traveled in those countries before him. I make small pretense of showing anyone how he ought to look at objects of interest beyond the sea – other books do that, and therefore, even if I were competent to do it, there is no need. ”
In 1872, Twain published a second piece of travel literature, Roughing It, as a semi-sequel to Innocents. Roughing It is a semi-autobiographical account of Twain's journey to Nevada and his subsequent life in the American West. The book lampoons American and Western society in the same way that Innocents critiqued the various countries of Europe and the Middle East. Twain's next work kept Roughing It's focus on American society but focused more on the events of the day. Entitled The Gilded Age: A Tale of Today, it was not a travel piece, as his previous two books had been, and it was his first attempt at writing a novel. The book is also notable because it is Twain's only collaboration; it was written with his neighbor Charles Dudley Warner.
Twain's next two works drew on his experiences on the Mississippi River. Old Times on the Mississippi, a series of sketches published in the Atlantic Monthly in 1875, featured Twain’s disillusionment with Romanticism. Old Times eventually became the starting point for Life on the Mississippi.
Tom Sawyer and Huckleberry Finn
Twain's next major publication was The Adventures of Tom Sawyer, which drew on his youth in Hannibal. The character of Tom Sawyer was modeled on Twain as a child, with traces of two schoolmates, John Briggs and Will Bowen. The book also introduced in a supporting role the character of Huckleberry Finn, based on Twain's boyhood friend Tom Blankenship.
The Prince and the Pauper, despite a storyline that is omnipresent in film and literature today, was not as well received. Telling the story of two boys born on the same day who are physically identical, the book acts as a social commentary as the prince and pauper switch places. Pauper was Twain's first attempt at fiction, and blame for its shortcomings is usually put on Twain for having not been experienced enough in English society, and also on the fact that it was produced after such a massive hit. In between the writing of Pauper, Twain had started Adventures of Huckleberry Finn (which he consistently had problems completing[30] and started and completed another travel book, A Tramp Abroad, which follows Twain as he travels through central and southern Europe.
Twain's next major published work, Adventures of Huckleberry Finn, solidified him as a noteworthy American writer. Some have called it the first Great American Novel. Huckleberry Finn was an offshoot from Tom Sawyer and proved to have a more serious tone than its predecessor. The main premise behind Huckleberry Finn is the young boy's belief in the right thing to do even though the majority of society believes that it was wrong. The book has become required reading in many schools throughout the United States because Huck ignores the rules and mores of the age to follow what he thinks is just (the story takes place in the 1850s where slavery is present). Four hundred manuscript pages of Huckleberry Finn were written in the summer of 1876, right after the publication of Tom Sawyer. Some accounts have Twain taking seven years off after his first burst of creativity, eventually finishing the book in 1883. Other accounts have Twain working on Huckleberry Finn in tandem with The Prince and the Pauper and other works in 1880 and other years. The last fifth of Huckleberry Finn is subject to much controversy. Some say that Twain experiences—as critic Leo Marx puts it—a "failure of nerve." Ernest Hemingway once said of Huckleberry Finn: “If you read it, you must stop where the Nigger Jim is stolen from the boys. That is the real end. The rest is just cheating.”
Near the completion of Huckleberry Finn, Twain wrote Life on the Mississippi, which is said to have heavily influenced the former book.[28] The work recounts Twain's memories and new experiences after a 22-year absence from the Mississippi. The book is of note because Twain introduces the real meaning of his pseudonym.
Later writing
After his great work, Twain began turning to his business endeavors to keep them afloat and to stave off the increasing difficulties he had been having from his writing projects. Twain focused on President Ulysses S. Grant's Memoirs for his fledgling publishing company, finding time in between to write "The Private History of a Campaign That Failed" for The Century Magazine. This piece detailed his two-week stint in a Confederate militia during the Civil War. The name of his publishing company was Charles L. Webster & Company, which he owned with Charles L. Webster, his nephew by marriage.
Twain next focused on A Connecticut Yankee in King Arthur's Court, which featured him making his first big pronouncement of disappointment with politics. Written with the same "historical fiction" style of The Prince and the Pauper, A Connecticut Yankee showed the absurdities of political and social norms by setting them in the court of King Arthur. The book was started in December 1885, then shelved a few months later until the summer of 1887, and eventually finished in the spring of 1889.
Twain had begun to furiously write articles and commentary with diminishing returns to pay the bills and keep his business intentions afloat, but it was not sufficient because he filed for bankruptcy in 1894. His next large-scale work, Pudd'nhead Wilson, was written rapidly, as Twain was desperately trying to stave off the bankruptcy. In the month from November 12 to December 14, 1893, Twain wrote a staggering 60,000 words for the novel. Critics have pointed to this rushed completion as the cause of the novel's rough organization and constant disruption of continuous plot. There were parallels between this work and Twain's financial failings, notably his desire to escape his current constraints and become a different person.
Interestingly, the actual title of this novel is not clearly established. It was first published serially in Century Magazine, and when it was finally published in book form, Pudd'nhead Wilson appeared as the main title; however, the disputed "subtitles" make the entire title read: The Tragedy of Pudd'nhead Wilson and the Comedy of The Extraordinary Twins.
This novel, like The Prince and the Pauper, also contains the tale of two boys born on the same day who switch positions in life. Considering the circumstances of Twain's birth and Halley's Comet and his strong belief in the paranormal, it is not surprising that these "mystic" connections recur throughout his writing.
Twain's next venture was a work of straight fiction that he called Personal Recollections of Joan of Arc and dedicated to his wife. Twain had long said that this was the work of which he was most proud, despite the criticism he received for it. The book had been a dream of his since childhood; he claimed that he had found a manuscript detailing the life of Joan of Arc when he was an adolescent. This was another piece which Twain was convinced would save his publishing company. His financial adviser, Henry Huttleston Rogers, squashed that idea and got Twain out of that business altogether, but the book was published nonetheless.
During this time of dire financial straits, Twain published several literary reviews in newspapers to help make ends meet. He famously derided James Fenimore Cooper in his article detailing Cooper's Literary Offenses. He became an extremely outspoken critic not only of other authors, but also of other critics, suggesting that before praising Cooper's work, Professors Loundsbury, Brander Matthes, and Wilkie Collins "ought to have read some of it."
Other authors to fall under Twain's attack during this time period (beginning around 1890 until his death) were George Eliot, Jane Austen and Robert Louis Stevenson. Some have noticed a trend in literary criticism to mimic Twain's style, as contemporary critics often ballast not merely portions of a work, opting instead to insult and belittle an author's entire bibliography. It appears that Twain was the first to use such language in describing established authors (and these authors were often quite popular at the time Twain was lambasting them). In addition to providing a source for the "tooth and claw" style of literary criticism, Twain outlines in several letters and essays what he considers to be "quality writing". He places particular emphasis on concision, utility of word choice, and realism (he complains that Cooper's Deerslayer purports to be realistic but has several shortcomings). Ironically, several of his works were later criticized for lack of continuity (Adventures of Huckleberry Finn) and organization (Pudd'nhead Wilson).
Twain's wife died in 1904, and after an appropriate time Twain allowed himself to publish some works that his wife, a de facto editor and censor throughout his life, had looked down upon. Of these works, The Mysterious Stranger, which places the presence of Satan, also known as “No. 44,” in various situations where the moral sense of humankind is absent, is perhaps the best known. This particular work was not published in Twain's lifetime. There were three versions found in his manuscripts made between 1897 and 1905: the Hannibal version, the Eseldorf version, and the Print Shop version. Confusion between the versions led to an extensive publication of a jumbled version, and only recently have the original versions as Twain wrote them become available.
Twain's last work was his autobiography, which he dictated and thought would be most entertaining if he went off on whims and tangents in non-sequential order. Some archivists and compilers had a problem with this and rearranged the biography into a more conventional form, thereby eliminating some of Twain's humor and the flow of the book.
