American Literature
:: Emily Elizabeth Dickinson
Emily Elizabeth Dickinson (December 10, 1830 – May 15, 1886) was an American poet. Born in Amherst, Massachusetts to a successful family with strong community ties, she lived a mostly introverted and reclusive life. After she studied at the Amherst Academy for seven years in her youth, she spent a short time at Mount Holyoke Female Seminary before returning to her family's house in Amherst. Thought of as an eccentric by the locals, she became known for her penchant for white clothing and her reluctance to greet guests or, later in life, even leave her room. Most of her friendships were therefore carried out by correspondence.
Dickinson was a prolific private poet, though fewer than a dozen of her nearly eighteen hundred poems were published during her lifetime. The work that was published during her lifetime was usually altered significantly by the publishers to fit the conventional poetic rules of the time. Dickinson's poems are unique for the era in which she wrote; they contain short lines, typically lack titles, and often utilize slant rhyme as well as unconventional capitalization and punctuation. Many of her poems deal with themes of death and immortality, two subjects which infused her letters to friends.
Although most of her acquaintances were probably aware of Dickinson's writing, it was not until after her death in 1886—when Lavinia, Emily's younger sister, discovered her cache of poems—that the breadth of Dickinson's work became apparent. Her first collection of poetry was published in 1890 by personal acquaintances Thomas Wentworth Higginson and Mabel Loomis Todd, both of whom heavily edited the content. A complete and mostly unaltered collection of her poetry became available for the first time in 1955 when The Poems of Emily Dickinson was published by scholar Thomas H. Johnson. Despite unfavorable reviews and skepticism of her literary prowess during the late 19th and early 20th century, critics now consider Dickinson to be a major American poet.
Dickinson was a prolific private poet, though fewer than a dozen of her nearly eighteen hundred poems were published during her lifetime. The work that was published during her lifetime was usually altered significantly by the publishers to fit the conventional poetic rules of the time. Dickinson's poems are unique for the era in which she wrote; they contain short lines, typically lack titles, and often utilize slant rhyme as well as unconventional capitalization and punctuation. Many of her poems deal with themes of death and immortality, two subjects which infused her letters to friends.
Although most of her acquaintances were probably aware of Dickinson's writing, it was not until after her death in 1886—when Lavinia, Emily's younger sister, discovered her cache of poems—that the breadth of Dickinson's work became apparent. Her first collection of poetry was published in 1890 by personal acquaintances Thomas Wentworth Higginson and Mabel Loomis Todd, both of whom heavily edited the content. A complete and mostly unaltered collection of her poetry became available for the first time in 1955 when The Poems of Emily Dickinson was published by scholar Thomas H. Johnson. Despite unfavorable reviews and skepticism of her literary prowess during the late 19th and early 20th century, critics now consider Dickinson to be a major American poet.
:: Early influences and writing
When she was eighteen, Dickinson's family befriended a young attorney by the name of Benjamin Franklin Newton. According to a letter written by Dickinson after Newton's death, he had been "with my Father two years, before going to Worcester – in pursuing his studies, and was much in our family." Although their relationship was probably not romantic, Newton was a formative influence and would become the second in a series of older men (after Humphrey) that Dickinson referred to variously as her tutor, preceptor or master.
Newton likely introduced her to the writings of William Wordsworth, and his gift to her of Ralph Waldo Emerson's first book of collected poems had a liberating effect. She wrote later that he, "whose name my Father's Law Student taught me, has touched the secret Spring". Newton held her in high regard, believing in and recognizing her as a poet. When he was dying of tuberculosis, he wrote to her, saying that he would like to live until she achieved the greatness he foresaw. Biographers believe that Dickinson's statement of 1862—"When a little Girl, I had a friend, who taught me Immortality – but venturing too near, himself – he never returned"—refers to Newton.
Dickinson was familiar not only with the Bible but also with contemporary popular literature. Dickinson was probably influenced by Lydia Maria Child's Letters from New York, another gift from Newton (after reading it, she enthused "This then is a book! And there are more of them!" ). Her brother smuggled a copy of Henry Wadsworth Longfellow's Kavanagh into the house for her (because her father might disapprove) and a friend lent her Charlotte Brontë's Jane Eyre in late 1849. Jane Eyre's influence cannot be measured, but when Dickinson acquired her first and only dog, a Newfoundland, she named him Carlo after the character St. John Rivers' dog. William Shakespeare was a potent influence in her life. Referring to his plays, she wrote to one friend "Why clasp any hand but this?" and to another "Why is any other book needed?"
Newton likely introduced her to the writings of William Wordsworth, and his gift to her of Ralph Waldo Emerson's first book of collected poems had a liberating effect. She wrote later that he, "whose name my Father's Law Student taught me, has touched the secret Spring". Newton held her in high regard, believing in and recognizing her as a poet. When he was dying of tuberculosis, he wrote to her, saying that he would like to live until she achieved the greatness he foresaw. Biographers believe that Dickinson's statement of 1862—"When a little Girl, I had a friend, who taught me Immortality – but venturing too near, himself – he never returned"—refers to Newton.
Dickinson was familiar not only with the Bible but also with contemporary popular literature. Dickinson was probably influenced by Lydia Maria Child's Letters from New York, another gift from Newton (after reading it, she enthused "This then is a book! And there are more of them!" ). Her brother smuggled a copy of Henry Wadsworth Longfellow's Kavanagh into the house for her (because her father might disapprove) and a friend lent her Charlotte Brontë's Jane Eyre in late 1849. Jane Eyre's influence cannot be measured, but when Dickinson acquired her first and only dog, a Newfoundland, she named him Carlo after the character St. John Rivers' dog. William Shakespeare was a potent influence in her life. Referring to his plays, she wrote to one friend "Why clasp any hand but this?" and to another "Why is any other book needed?"
:: Adulthood and seclusion
In early 1850 Dickinson wrote that "Amherst is alive with fun this winter ... Oh, a very great town this is!" Her high spirits soon turned to melancholy after another untimely death. The Amherst Academy principal, Leonard Humphrey, died suddenly of "brain congestion" at age 25. Two years after his death, she revealed to her friend Abiah Root the extent of her depression: "... some of my friends are gone, and some of my friends are sleeping – sleeping the churchyard sleep – the hour of evening is sad – it was once my study hour – my master has gone to rest, and the open leaf of the book, and the scholar at school alone, make the tears come, and I cannot brush them away; I would not if I could, for they are the only tribute I can pay the departed Humphrey".
During the 1850s, Emily's strongest and most affectionate relationship was with Susan Gilbert. Emily eventually sent her over three hundred letters, more than to any other correspondent, over the course of their friendship. Her missives typically dealt with demands for Sue's affection and the fear of unrequited admiration, but because Sue was often aloof and disagreeable, Emily was continually hurt by what was mostly a tempestuous friendship. Sue married Austin in 1856 after a four-year courtship, although their marriage was not a happy one. Edward Dickinson built a house for him and Sue called the Evergreens, which stood on the west side of the Homestead. Supposedly one of only two known daguerreotypes of Emily Dickinson. Made in the 1850s and discovered in 2000 on eBay by Philip F. Gura, its authenticity is questioned. Supposedly one of only two known daguerreotypes of Emily Dickinson. Made in the 1850s and discovered in 2000 on eBay by Philip F. Gura, its authenticity is questioned.
Until 1855, Dickinson had not strayed far from Amherst. That spring, accompanied by her mother and sister, she took one of her longest and farthest trips away from home.[48] First, they spent three weeks in Washington, where her father was representing Massachusetts in Congress. Then they went to Philadelphia for two weeks to visit family. In Philadelphia, she met Charles Wadsworth, a famous minister of the Arch Street Presbyterian Church, with whom she forged a strong friendship which lasted until his death in 1882. Despite only seeing him twice after 1855 (he moved to San Francisco in 1862), she variously referred to him as "my Philadelphia", "my Clergyman", "my dearest earthly friend" and "my Shepherd from 'Little Girl'hood".
From the mid-1850s, Emily's mother became effectively bedridden with various chronic illnesses until her death in 1882.[51] Writing to a friend in summer 1858, Emily said that she would visit if she could leave "home, or mother. I do not go out at all, lest father will come and miss me, or miss some little act, which I might forget, should I run away – Mother is much as usual. I Know not what to hope of her". As her mother continued to decline, Dickinson's domestic responsibilities weighed heavier upon her and she confined herself within the Homestead. Forty years later, Vinnie stated that because their mother was chronically ill, one of the daughters had to remain always with her. Emily took this role as her own, and "finding the life with her books and nature so congenial, continued to live it".
Withdrawing more and more from the outside world, Emily began in the summer of 1858 what would be her lasting legacy. Reviewing poems she had written previously, she began making clean copies of her work, assembling carefully pieced-together manuscript books. The forty fascicles she created from 1858 through 1865 eventually held nearly eight hundred poems. No one was aware of the existence of these books until after her death.
In the late 1850s, the Dickinsons befriended Samuel Bowles, the owner and editor-in-chief of the Springfield Republican, and his wife, Mary. They visited the Dickinsons regularly for years to come. During this time Emily sent him over three dozen letters and nearly fifty poems. Their friendship brought out some of her most intense writing and Bowles published a few of her poems in his journal.
The first half of the 1860s, after she had largely withdrawn from social life, proved to be Dickinson's most productive writing period.
During the 1850s, Emily's strongest and most affectionate relationship was with Susan Gilbert. Emily eventually sent her over three hundred letters, more than to any other correspondent, over the course of their friendship. Her missives typically dealt with demands for Sue's affection and the fear of unrequited admiration, but because Sue was often aloof and disagreeable, Emily was continually hurt by what was mostly a tempestuous friendship. Sue married Austin in 1856 after a four-year courtship, although their marriage was not a happy one. Edward Dickinson built a house for him and Sue called the Evergreens, which stood on the west side of the Homestead. Supposedly one of only two known daguerreotypes of Emily Dickinson. Made in the 1850s and discovered in 2000 on eBay by Philip F. Gura, its authenticity is questioned. Supposedly one of only two known daguerreotypes of Emily Dickinson. Made in the 1850s and discovered in 2000 on eBay by Philip F. Gura, its authenticity is questioned.
Until 1855, Dickinson had not strayed far from Amherst. That spring, accompanied by her mother and sister, she took one of her longest and farthest trips away from home.[48] First, they spent three weeks in Washington, where her father was representing Massachusetts in Congress. Then they went to Philadelphia for two weeks to visit family. In Philadelphia, she met Charles Wadsworth, a famous minister of the Arch Street Presbyterian Church, with whom she forged a strong friendship which lasted until his death in 1882. Despite only seeing him twice after 1855 (he moved to San Francisco in 1862), she variously referred to him as "my Philadelphia", "my Clergyman", "my dearest earthly friend" and "my Shepherd from 'Little Girl'hood".
From the mid-1850s, Emily's mother became effectively bedridden with various chronic illnesses until her death in 1882.[51] Writing to a friend in summer 1858, Emily said that she would visit if she could leave "home, or mother. I do not go out at all, lest father will come and miss me, or miss some little act, which I might forget, should I run away – Mother is much as usual. I Know not what to hope of her". As her mother continued to decline, Dickinson's domestic responsibilities weighed heavier upon her and she confined herself within the Homestead. Forty years later, Vinnie stated that because their mother was chronically ill, one of the daughters had to remain always with her. Emily took this role as her own, and "finding the life with her books and nature so congenial, continued to live it".
Withdrawing more and more from the outside world, Emily began in the summer of 1858 what would be her lasting legacy. Reviewing poems she had written previously, she began making clean copies of her work, assembling carefully pieced-together manuscript books. The forty fascicles she created from 1858 through 1865 eventually held nearly eight hundred poems. No one was aware of the existence of these books until after her death.
In the late 1850s, the Dickinsons befriended Samuel Bowles, the owner and editor-in-chief of the Springfield Republican, and his wife, Mary. They visited the Dickinsons regularly for years to come. During this time Emily sent him over three dozen letters and nearly fifty poems. Their friendship brought out some of her most intense writing and Bowles published a few of her poems in his journal.
The first half of the 1860s, after she had largely withdrawn from social life, proved to be Dickinson's most productive writing period.
